CUBASE ORCHESTRAL TEMPLATE DANIEL JAMES PRO
CUBASE ORCHESTRAL TEMPLATE DANIEL JAMES SERIES

Do not build a 700-track template if that leaves you with little or no space to load more tracks later on.ДЄnother problem is when you have samples loaded in another computer or computers and you open an old session - say a track you composed 6 months ago - you will have to make sure that the samples loaded are the same as the ones you loaded 6 months ago. Having a large template with all patches loaded takes CPU processing, even if you are not playing anything back! *TOP TIP*: Templates are great if they take less than 30% of your computer power. Every time you press ctrl+S because it has more settings than necessary to save (plugins settings, track configurations), even if you havenвЂ™t written a note yet, it may take a few seconds to save. Otherwise, you will need to do a lot of scrolling! Especially with thousands of tracks!ДЄlso, a session with a big template will take longer to save. You will need keyboard shortcuts to get to the track (or group of tracks) that you want. While having a template is usually seen as positively impacting your workflow, when the template reaches a certain size, it has some disadvantages as well. Secondly, all those tracks (provided it is a good setup template) will already be configured - meaning they will have specific panning, an EQ plug-in loaded, a reverb applied or a send to a reverb bus already set, an output routed to a specific bus, etc.: very convenient and time-saving.

CUBASE ORCHESTRAL TEMPLATE DANIEL JAMES SERIES

Firstly, with a template you have a series of tracks loaded and you just sit down, put your hands on the keyboard and start composing. Generally, there are many advantages in using a template.

Ok, so what is the most efficient template? Your creativity may be constricted through working with the same tracks and the same articulations, always organized in the same way. My personal opinion on templates is that while they help by keeping many tools ready for you to start composing, they may also negatively affect your creativity levels due to their default nature. Thanks to that вЂњgeekinessвЂќ, I actually landed my first job as assistant to a composer in Pasadena!ДЄ template is a good tool, but we have to be aware that there are different approaches when building a template, and each has its pros and cons. Some people would say that I was the вЂњSMPTV class computer geek of my yearвЂќ. In fact, the video that opened my YouTube channel with more than 60k visits 7 years ago was about presenting my template and explaining its creation.

CUBASE ORCHESTRAL TEMPLATE DANIEL JAMES PRO

WeвЂ™ll talk about this approach at the end of this post.ДonвЂ™t get me wrong, I did have a weakness for big templates and several computers, using Visual Ensemble Pro (VEPro), etc. I found IвЂ™m more efficient when IвЂ™m working on a modular template.

I am not a fan of massive templates with complex setups, and I do not use more than one computer.

Posted on John PowellвЂ™s Facebook page, in February 2016 To give you an example of a mid-size template, this is John PowellвЂ™s Logic template. Several computers will usually be required in order to run those bigger templates. There are all sorts of templates, ranging from small projects (with a few tracks and buses to massive sessions with thousands of tracks. What I want you to understand by the end of this post is that there are different approaches when building a templateвЂ¦ and, since it takes a good deal of time setting up a template, you better decide upfront which one is the most appropriate for you.ДЄ template is an important tool that will help the composer keep things organized. So what is that вЂњmagicalвЂќ tool that everyone uses? Simple: templates.Д«UT this post is NOT about вЂњwhat is a template and what it can do for youвЂќ. Since the beginning of the digital revolution in music production, composers have sought to streamline their workflows in order to maximize the effectiveness of output - especially when working to a strict deadline!Д®very composer has their own system but thereвЂ™s one tool that most of them share. A good organization can be effective in helping with the creative process.

Cubase orchestral template daniel james